Articles & Reviews
2023
• Lucy McKenzie and Antonio Canovoa at Pinacoteca Agnelli, Turin, Italy, December Issue, World of Interiors
•‘Salon Farewell’, Pauline Karpidas’s home in Hydra, October issue World of Interiors
• ‘Be original or die!’ How a suffragette sparked an upper-class craze for surrealism’, article on Madame Yevonde, The Telegraph, 18 June 2023
• ‘Self-portraits: Louis Bourgeois / Carrie Mae Weems / Avery Singer’, Sotheby’s Magazine, Summer 2023
• ‘A Tribute to Brian O’Doherty’, Edited by Brenda Moore-McCann, The Brooklyn Rail, May 2023
• ‘Object Lesson: Ithell Colquhoun’s Scylla, 1938’, World of Interiors, March 2023
2022
• ‘Still Lively, still life at the Louvre for World of Interiors, December 2022
• Dispatch on ‘Magical Thinking’, Art News New Zealand, Autumn 2022
• ‘Pictures of People: Alice Neel’s life and work’, Portrait magazine, The National Portrait Gallery, Canberra, Australia, Summer 2022/23
• ‘Energy Begets Energy: the life and work of Kathleen Walne’, for Listening to Kathleen Walne, pub. Obscure Secure (Hayley Field and Jacqueline Utley), August 2022
• Preview of Vivian Maier, MK Gallery, Milton Keynes, UK, for World of Interiors, July 2022
• ‘Becoming Modern: The Paintings of Flora Scales’, July 2022
• ‘Standing on Ceremony: the 4th National Indigenous Art Triennial’, the National Gallery of Australia, The Monthly, June 2022
• ‘Pamela Colman Smith: The Queen of Tarot’, Engelsberg Ideas, June 2022
• Tate etc guide to Land Art, Summer issue 55
• ‘Women make history: the intriguing stories behind portraits of women by women in the Australian National Portrait Gallery’s collection, Portrait, Summer 2021/2022
‘A New Kind of History’, review of ‘Know My Name: Australian Women Artists 1900 to Now’ at the National Gallery Australia, April 2022 issue of The Monthly
• Preview: ‘Meret Oppenheim: My Exhibition’, The Menil Collection, Houston 25 March – 18 September 2022, World of Interiors, April 2022
• Book review of Salvator Rosa by Helen Langdon for V&A magazine, 18 April 2022
• ‘How Venice’s National Pavilions Complicate the Notion of Citizenship’ frieze 226, April 2022
• Profile: Matt Ottley, The Saturday Paper, 12 March 2022
• ‘Isms’: The Tate Etc Guide to Art Movements’, Issue 54, Spring 2022
2021
• ‘Stories From Indigenous Australia’: review of ‘Songlines: Tracking the Seven Sisters’ at The Box, Plymouth, frieze November 2021
• ‘The Life and Death (and Life) of Painting’, Jennifer Higgie in Conversation with Eva Fabbris about ‘Stop Painting’ at Fondazione Prada, Venice for Ursula magazine
• The Tate Etc Guide to Black Atlantic, Issue 53, Autumn 2021
• Review of Lucy Neave’s Believe in Me, Saturday Paper, 25 October 2021
• ‘All The World’s a Stage: A Profile of Lubaina Himid’, Tate Etc, 10 September 2021
• ‘Life Work: The work of Matthew Clarke, Matthew Calandra and Lisa Reid’ for Art Et Al, 6 September 2021
• Paula Modersohn Becker’s ‘Self-Portrait on 6th Wedding Anniversary’, Tortoise, 16 August 2021
• Deborah Levy’s Real Estate for The Saturday Paper, 19 June 2021
• ‘The Tate Etc Guide to Biomorphism’, Tate Etc, Summer 2021
• ‘Colour, Geometry and Pure Radiance’, the art of Sophie Taeuber-Arp, Tate Etc, Summer 2021
• Review of Out of the Cage: The Art of Isabel Rawsthorne (2021) by Carol Jacobi, RA magazine, Spring 2021
• 'Women Artists and the Looking Glass', excerpt from the Mirror and the Palette, frieze, March 2021, also in frieze issue 218
• ‘The Tate Etc. Guide to Gutai’, Tate Etc, 21 January 2021
• What I'm looking forward to in 2021: frieze online, January 2021
2020
• In Zeina Durra’s 'Luxor', History Shifts Shape, frieze online, December 2020
• Stories We Missed in 2020: Rio Tinto’s Destruction of the Juukan Gorge Proved (Again) Nothing Is Sacred Except Profit, frieze online, December 2020
• Tracey Emin’s lifelong affinity with Edvard Munch: RA magazine, November 2020
• Artemisia’s Defiant Women Were a Prophecy, frieze online, October 2020
• The Worlds of Derek Jarman: 'My Garden's Boundaries are the Horizon' at the Garden
Museum, London, frieze online, September 2020
• Gender and Power in Titian’s Greatest Paintings, frieze online, August 2020
• A 14-hour Documentary on Women Filmmakers Corrects the Canon (on Mark Cousins’ Women Make Film), frieze online, July 2020
• ‘Thoughts on Migration in the Middle of a Plague’, Together in Art, The Art Gallery of New South Wales, 22 June
• ‘A Digital Tour of the 22nd Sydney Biennale’, frieze online, May 2020
• ‘Masculinities’, The Barbican, London, frieze online, May 2020
• ‘Infantia’, Fabien Giraud and Raphaël Siboni, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, frieze 211, May 2020
• ‘On Watercolour’, Tate etc, 20 May 2020
• ‘What to see and do in digital Paris’, April 202, frieze online
• ‘How Has the Art World Changed Since 2010?’, frieze 208, January-February 2020
2019
• ‘The 16th Istanbul Biennale’, frieze 207, November-December 2019
• ‘Learning to Let Go’, frieze 206, October 2019
• ‘Collier Schorr Learns to Dance’, frieze 206, October 2019
• ‘58th Venice Biennale’, frieze online, May 2019
• ‘The Houses of Burj Al Babas’, frieze 203, May 2019
• Josef Albers photographs of a Valentine’s Day Ball, 1940’, frieze online, April 2019
• ‘How the Art World Has Changed’, frieze 200, January-February 2019
2018
• ‘Celebrating Women’s Work Throughout History’, frieze Masters 7, September 2018
• Manifesta 12, Palermo, frieze 197, September 2018
• ‘What is Art’s Responsibility to the Times in Which We Live?’, frieze 196, June-August 2018
• Bruno Gironcoli, MUMOK and Galerie Elisabeth and Klaus Thoman, Vienna, frieze 196, June-August 2018
• ‘Phantom Thread: Paul Thomas Anderson’, frieze online, March 2018
2017
• ‘Summer of Love’, Art Space Pythagoria, Samos, Greece, frieze 191, November-December 2017
• ‘Yes to Fairness, Yes to Love: Marriage Equality in Australia’, frieze online, November 2017
• ‘Linda Nochlin: 1931-2017’, frieze online, November 2017
• ‘Blade Runner 2049’, frieze online, October 2017
• ‘The Real Thing: The Importance of Visiting Galleries in the Flesh’, frieze 190, October 2017
• ‘Staying Alive: On the Benefits of Not Knowing’, frieze Masters 6, September 2017
• ‘57th Venice Biennale: The Arsenale’, frieze online, May 2017
• ‘Documenta 17: Benaki Museum’, Athens, frieze online April 2017
• ‘Beau Geste Press’, CAPC Bordeaux, frieze 186, April 2017
• ‘Helen Johnson: History Pictures’, frieze 184, January-February 2017
• ‘The Most Detailed Map Ever Made’, frieze 184, January-February 2017
2016
• ‘All Change: Art History isn’t Carved in Stone’, frieze Masters 5, September 2016
• ‘20th Sydney Biennale’, frieze 180, June-August 2016
• ‘These Foolish Things: Dada’s centenary and the importance of absurdity’, frieze 177, March 2016
2015
• ‘Under the Influence: How Art Evolves’, frieze Masters 4, September 2015
• 56th Venice Biennale, frieze 172, June-August 2015
• ‘Ryan Mosley: Carnival Theory’, frieze 170, April 2015
• ‘The Solace of Art: Creativity as Resistance’, frieze 169, March 2015
• ‘Pierre Huyghe: One Take, Human Mask’ , frieze 168, January-Februay 2015
2014
• ‘This is Not My Beautiful House’, Kunsthalle Athena, Athens, frieze 167, November -December 2014
• ‘In the First Place: What the story of El Greco tells us about how art history is made’: frieze Masters 3, October 2014
• ‘Cocteau in Soho’: frieze 164 June-August 2014
• Marrakech 5 Biennale, Marrakech, frieze 163, May 2014
• ‘Paloma Varga Weisz: My Influences’, frieze 163, May 2014
• ‘The Age of Anxiety’, frieze 161, May 2014
2013
• ‘The Volcano Extravaganza’, Stromboli, frieze 158, October 2013
• ‘Under the Influence: How the art of the past informs the art of the present’, frieze Masters 2, October 2013
• ‘To Boycott or Not?’, frieze158, October 2013
• ‘Still Lifes: A Selective History of Things on Tables’, frieze Masters 2, September 2013
• ‘Welcome to Iraq’, The 55th Venice Biennale, frieze 157, September 2013
• ‘The Cubies ABC: A 1913 Children’s Book’, frieze 156, June-August 2013
• ‘Sharjah Biennial 11’, frieze 156, June-August 2013
• ‘Nicole Eisenman: In Your Head’, frieze 155, May 2013
• ‘Hilma Af Klint’, Moderna Museet, Stockholm, frieze 155, May 2013
2012
• ‘Qalandiya International’, frieze blog, November 2012
• ‘The Chanel Lamppost’, frieze 150, October 2012
• ‘Shouts and Murmurs: Art and Activism’, frieze 149, September 2012
• Damien Hirst, Tate Modern, frieze 148, June-August 2012
• Remembering Robert Hughes 1938-2012, frieze online, August 2012
• ‘Write of Spring: Life’s a Quotation, Sort of’, frieze 147, May 2012
• ‘Lynette Yiadom-Boakye: A Life in the Day’, frieze 146, April 2012
2011
• ‘20 years of frieze’, co-written with Jörg Heiser, frieze 141, September 2011
• ‘Keywords’: An update of Raymond Williams’s 1975 dictionary of culture for today’s art world, frieze 141, September 2011
• The List: Five of the finest art magazines, The Financial Times, 3 September 2011
• ‘Free Speech: Censorship and the Art World’, frieze 140, June-August 2011
• ‘Sharjah Biennale 10’, frieze 140, June-August 2011
• Krakow Photomonth, Frieze Editor’s blog, May 2011
• Michal Helfman, Sommer Contemporary, Tel Aviv, frieze 137, March 2011
• Museum of Old and New Art, Hobart, frieze online, January 2011
• ‘Richard Dadd: The Child’s Problem, 1857’ Tate Etc, January 2011
2010
• ‘Michael Clark Company, Tate Modern’, frieze online, September 2010
• ‘Emily Wardill: Chaos Theory’, frieze 133, September 2010
• ‘I am Corny’, frieze online, May 2010
• ‘The Haunting: The Role of the Dead in the Lives of the Living’, frieze 130, April 2010
• ‘6th Asia Pacific Triennial’, Various venues, Brisbane, frieze 130, April 2010
• ‘Glenn Sorensen: Suspension, Isolation, Anticipation’, frieze 129, March 2010
• ‘10th Baltic Triennial’, Vilnius, frieze 128, January-February 2010
2009
• ‘Take Courage: Serendipity, politics and Bertolt Brecht’, frieze 127, November-December 2009
• ‘Doug Aitken in Rome’, frieze online October 2009
• ‘Postcard from Vilnius’, frieze online, October 2009
• ‘Juliette Blightman: Quiet Afternoons and Meditation’, frieze 126, October 2009
• ‘United Technologies’, Lismore Castle, Lismore, frieze 125, September 2009
• 53rd Venice Biennale, frieze 125, September 2009
• ‘A-Z of the 53rd Venice Biennale’, co-written with Dan Fox, frieze 125, September 2009
• ‘Alone Again, Or: Women Turning Away’, frieze 124, June-August 2009
• ‘Excellent Beauty: Reactions to the Turner Prize’, frieze online, May 2009
• Geoff Dyer, Jeff in Venice, Death in Varanasi, frieze 121, March 2009
• ‘3rd Yokohama Triennial’, Japan, frieze 121, January-February 2009
2008
• ‘Matthew Brannon: The Embarrassing Truth’, frieze 119, November-December 2008
• ‘Paul Schütze: 147 orbiting 1 through 6 for 5’, frieze 118, October 2008
• ‘everstill/siempretodavía’, Huerta de San Vincente, Granada, Spain, frieze 118, October 2008
• ‘On Being Literal’, frieze online, October 2008
• ‘The Burial of Patrick Ireland (1972-2008)’, frieze 117, September 2008
• Heiner Goebbels, P3, London, frieze 116, June-August 2008
• ‘The Furious Gaze’, Montehermoso Cultural Centre, Vitoria-Gasteiz, Spain, frieze 116, June-August 2008
• ‘Guido van der Werve: Chopin, Melancholy and Chopsticks’, frieze 114, April 2008
2007
• ‘Con Man: in response to article in the Evening Standard’, frieze online, December 2007
• ‘Her(his)tory’, Cycladic Museum, Athens, frieze 111, November-December 2011
• Karen Kilimnick’s Ballet, London, frieze 108, June-August 2007
• Roni Horn, Reykjavik Art Museum, Iceland, frieze 108, June-August 2007
• George Condo, ‘Time’s Fool’, frieze 107, May 2007
• Karen Dalton ‘In My Own Time’, frieze 105, March 2007
• John Currin monograph, frieze 105, March 2007
2006
• ‘Please Release Me: on the press release’, frieze 103, November-December 2006
• ‘The Grand Promenade’, Athens, frieze 103, November-December 2006
• John Adams: The Dharma at Big Sur / My Father Knew Charles Ives, frieze 103, November-December 2006
• Annika Ström: Call for a Demonstration, frieze 01, September 2006
• Marjetica Potrc, ‘Form Follows Function’, frieze 99, May 2006
• In Other Words: Sue Tompkins, frieze 98, April 2006
• Tirana Biennial 3, frieze 99, January-February, 2006
2005
• ‘A Theory of Relativity: What is Slow?’, frieze 92, June-August 2005
• Co-written with Dan Fox: 1st Moscow Biennale, frieze 90, April 2005
• Rosalind Nashashibi, frieze 88, February 2005
2004
• ‘Women on the Verge: Lisa Yuskavage’, frieze issue 86, October 2004
•‘Carol Rama: In the Flesh’, frieze 84, June-August 2004
• ‘Dirk Bell: Night for Day’, frieze 80, January-February 2004
• ‘Jacob and the Angel’, Jacob Epstein’s famous sculpture, frieze 90, May 2004
2003
• ‘Silke Otto-Knapp: Vanishing Act’, frieze 79, November-December 2003
• ‘Annika Strom: With a Little Help From My Friends’, frieze 78, October 2003
• Rezi Van Lankveld, The Approach, London, frieze 78, October 2003
• ‘Janice Kerbel: Get it While You Can’, frieze 77, September 2003
• 50th Venice Biennale, frieze 77, Septmber 2003
• ‘Neil Tait: Private Lives’, frieze 76, June-August 2003
• ‘Arnold Odermatt: Always Crashing in the Same Car’, frieze 73, March 2003
• ‘Pier Pressure’, frieze 73, March 2003
• Milena Dragicevic, IBID projects, London, frieze 73, March 2003
• ‘Rebecca Warren: Under the Influence’, frieze 72, Jan-February 2003
2002
‘Beatriz Milhazes, Garden of Earthly Delights’, frieze 70, October 2002
‘Mama Andersson: Morning Stands on Tiptoe’, frieze 68, June-August 2002
• Peter Doig, Victoria Miro Gallery, London, frieze 68, June – August 2002
• The Colour of the Universe, frieze 67, May 2002
• ‘Spooky Knowledge’, Pearl Gallery, London, frieze 67, May 2002
• ‘Pina Bausch: Body Language’, frieze 65, March 2002
2001
Luc Tuymans, White Cube, London, frieze 63, November-December 2001
‘Annika Larsson, The Rules of the Game’, frieze 62, October 2001
• Brian Calvin, Corvi-Mora, London, frieze 61, September 2001
• Mary Heilman, Camden Arts Centre, London, frieze 60, June-August 2001
• ‘Robert Crumb: Old Master’, frieze 59, May 2001
• ‘Rachel Feinstein: Material Girl’, frieze 58, April 2001
• ‘Saul Fletcher: Memories Can’t Wait’, frieze 57, March 2001
2000
• ‘Future Perfect’, Centre for Visual Arts, Cardiff’, frieze 55, November-December 2000
• ‘Eva Rothschild: Paint it Black’, frieze 55, November-December 2000
• John Currin, Sadie Coles HQ, London, frieze 54, September-October 2000
• True Grit, frieze 55, September - October 2000
• Jean-Siméon Chardin: What It Is, frieze 53, June-August 2000
• Istanbul Biennial, frieze 50, Jan-Feb 2000
• ‘Wish You Were Her’ Popular Posters, frieze 50 January 2000
1999
• ‘The Sounds of the Earth’, frieze 49, November-December 1999
• Douglas Gordon, Tate Britain, frieze 48, September-October 1999
• Cerith Wyn Evans, Asprey Jacques, London, frieze 47, June-August 1999
• Glenn Brown, Jerwood Space, London, , frieze 47, June-August 1999
• A homage to Bonnie Prince Billy, frieze 46, May 1999
• ‘Blood on the Tracks: The Rockumentary’, frieze 46, May 1999
• Beasts, frieze 45, March-April 1999
• Pieter de Hooch, Dulwich Picture Gallery, London, frieze 45 Jan-Feb 1999
1998
• Piotr Uklanski, Photographer’s Gallery, London, frieze 43 November-December 1998
• Chris Ofili, Southampton City Art Gallery, frieze 43 September-October 1998
• Christina Mackie, City Racing, London, frieze 41 June-August 1998
• Tracey Moffatt, Victoria Miro, London, frieze 40 May 1998
• Suicide, concert review, frieze 40 May 1998
• ‘Seeing is Believing: How Photography Killed Fairy Painting’, frieze 40, May 1998
• Rineke Dijkstra, The Photographers Gallery, London, frieze 39, March-April 1998
• Samuel Fosso, Greengrassi London, frieze 39, March-April 1998
1997
• Siobhán Hapaska, ‘Out There’, frieze 37, November-December 1997
• Lothar Hempel, Robert Prime Gallery, London, frieze 37, November-December 1997
• Alfred Wallis, frieze 35, June-August 1997
• Lucy Gunning, City Racing, London, frieze 34, May 1997
• Gillian Wearing, Maureen Paley Interim Art, London, frieze 33, March 1997
• Edwin David, The Showroom, frieze 32, January-February 1997
1996
• Tacita Dean, Tate Britain, London, frieze 31, November-December 1996
• Liam Gillick, Robert Prime Gallery, London, frieze 30, September-October 1996
• Simon Patterson, Lisson Gallery, London, frieze 29, June-August 1996
• Andy Warhol, Anthony D’Offay Gallery, London, frieze 28, May 1996